Movies Detail of Public Hearing (2012)
✓ Title : Public Hearing
✓ Release Date : December 5th, 2012
✓ Runtime : 110 minutes
✓ Director : James N. Kienitz Wilkins
✓ Cast : No Casts Available
✓ Release Date : December 5th, 2012
✓ Runtime : 110 minutes
✓ Director : James N. Kienitz Wilkins
✓ Cast : No Casts Available
Synopsis of Public Hearing (2012)
Public Hearing is the verbatim re-performance of a rural American town meeting from a transcript downloaded as publicly available information. Shot entirely in cinematic close-up on black-and-white 16mm film, a cast of actors and non-actors read between the lines in an ironic debate over the replacement of an existing Wal-Mart with a super Wal-Mart.
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◈ Public Hearing Full Movie Spoiler - This is a literary genre sharing the setting with crime fiction (especially detective stories). Though deriving from the romantic tradition, which emphasized the emotions of apprehension, horror and terror, and awe, hardboiled fiction deviates from the tradition in the detectives cynical attitude towards those emotions. The attitude is conveyed through the detectives self-talk describing to the reader (or – in the film – to the viewer) what he is doing and feeling.
◈ Public Hearing Full Movie Video - Often strictly defined as a literary genre or form, though in practice it is also found in the graphic and performing arts. In satire, human or individual vices, follies, abuses, or shortcomings are held up to censure by means of ridicule, derision, burlesque, irony, or other methods, ideally with the intent to bring about improvement. Satire is usually meant to be funny, but its purpose is not primarily humour as an attack on something the author disapproves of, using wit. A common, almost defining feature of satire is its strong vein of irony or sarcasm, but parody, burlesque, exaggeration, juxtaposition, comparison, analogy, and double entendre all frequently appear in satirical speech and writing. The essential point, is that "in satire, irony is militant." This "militant irony" (or sarcasm) often professes to approve (or at least accept as natural) the very things the satirist actually wishes to attack.
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